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This Blog is all about Led Zeppelin and making every known concert bootleg spanning their 1968 to 1980 live
career
available. I am a HUGE fan and I know how hard it is to find some of these concerts! That's why I want to help others in finding these historic shows! Any Led Zeppelin concert you want RIGHT HERE!!! These shows are a time machine into the past that allow us people of today to enjoy the Led Zeppelin experience in true, raw form, straight from the tapers! I believe everyone should be able to enjoy these shows! And I really appreciate all of the Tapers who made these shows available!!!
On the right side of the blog is the Concert Date Archive containing every concert date performed by Zep in yearly order, when you click on any date it takes you to probably the most popular bootleg for that show. Below that is the Post Archive, Special Thanks and links to other popular bootleg sites. On the left side of the blog is a Video Archive section containing everything there is of live footage of Zep (DVD's, 8MM and Fan Footage) And below that is the Lossless section.
Every concert I post will contain a link to download the concert. I use Mega to upload and make available for download. You do not have to install anything from Mega to download shows, just make sure that when you go to download a show, click on
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Thursday, September 24, 2015

1973.07.15 Led Zeppelin Buffalo, NY Hot Buffalo Night (SoundBoard)

1973.07.15
Led Zeppelin
Buffalo, NY
Hot Buffalo Night 
(SoundBoard)

Here is the link
https://mega.co.nz/#!vp5iRbrb!oAkXP5GH1rv1u209-y37XtB-4thqijH-FizQBZ9DalA
101. Rock And Roll
102. Celebration Day
103. Black Dog
104. Over The Hills And Far Away
105. Misty Mountain Hop
106. Since I've Been Loving You
107. No Quarter
108. The Song Remains The Same
109. The Rain Song

201. Dazed And Confused
202. Stairway To Heaven

301. Moby Dick
302. Heartbreaker
303. Whole Lotta Love
304. The Ocean

The relentless touring schedule continues to take its toll on Plant's fragile voice. He struggles to maintain control as Rock and Roll gets underway. As Black Dog ends, Plant apologizes to the crowd for the delay, explaining that Page's guitar "has had a bit of an accident, but we got it fixed now." Over the Hills and Far Away is introduced as "a song about the journey that we're all on." The intro is interrupted by a loud firecracker blast, prompting Plant to respond "that's one guy who's not on the same journey." Page blazes through an excellent guitar solo.

No Quarter is fantastic, despite Page's occasionally sticky fingers. The Rain Song is absolutely beautiful. Dazed and Confused is introduced as "one of the old ones." Page hints at The Rover during a frantic call and response with Bonzo and Jones prior to the haunting San Francisco interlude. The transition to the bow solo is highly dramatic. A loud firecracker blast interrupts the eery soundscape. Page is on fire during the guitar solo/workout section. As the song ends, Bonzo can be heard shouting "well done Jim!" before Plant announces "I dunno who the sadist was who lit off the bomb, but he really is a jerk-off."

Bonzo is introduced as "the all-time percussionist of rock and roll" before Moby Dick. Page shreds wildly through the solos during Heartbreaker. Bonzo and Jones explore an infectious funky groove during the theramin freakout in Whole Lotta Love. Page joins in for a frantic race to the finish. Plant makes a brief reference to Gallows Pole during his boogie rap. Before the show-closing The Ocean, Plant announces "this requires the vocal talents of John Bonham."

Review: Led Zeppelin Kneads Crowd to Silly Putty

Led Zeppelin doesn’t give concerts, they perform physical transformations. They kneaded the full-house crowd in Memorial Auditorium into silly putty Sunday night with two hours and 50 minutes of massive sensory massage.

The sheer enormity of the sound did it (though the full moon may have helped), an enormity that resonates into your paleolithic pith, the cry of the dinosaur summoning out that primitive quickening in the face of monstrosity.

Whatever isn’t touched by the earthquake rumble of John Paul Jones’ bass, John Bonham’s gunshot cracks on the drums or Robert Plant’s echoey heart-of-darkness voice is left quivering by the swooping electronic slices of guitarist Jimmy Page, especially his solo on the theremin.

Their relatively simple brooding themes are blown larger than life, like skyscraping office buildings, and they lay on thick embellishments and broad dramatic resolutions that mean more en masse than as individual items.

The four of them approached it all with unexpected good humor. John and Bonham lay back blithely amongst the folding backdrop of mirrors that run the length of the stage.

Page in black with a rhinestone-studded rose on his open jacket, prancing around like a cocky midlands soccer player in a pub, and Plant in tight jeans and a short jacket with rhinestones and puffed sleeves strutting back his curly blond mane.

The band took no breaks, despite the heat. Applause followed a few Page guitar solos but the youngish crowd didn’t really erupt until the start of Stairway to Heaven and again when the spinning mirrored ball went on as it closed.

The heavy drumbeat of Moby Dick brought a rush on the stage and most of the hall stayed on its feet for that last hour, including a long Bonham drum solo with special synthesizer effects.

An 8-minute ovation brought them back for an encore after their boogieing final number. “Thank you Buffalo,” Plant said when they finished. “Take care until we see you again.” (D. Anderson, Buffalo News / July 1973)

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