Led Zeppelin
Buffalo, NY
Another Cup of Tea
(SoundBoard)
Here is the link
https://mega.nz/#!kABTxQjA!B2EayzPrg6AN3sWp1-FpbkQO2CPO5BwQ-0L0ZbKAYhY
FLAC
https://mega.nz/#!FZQjUAIK!jo2fgqP5W9oR-3hpzkkF0f0QQ14jBhuZcPTlJdMZMno
Photos are from a different bootleg
101. Rock And Roll
102. Celebration Day
103. Black Dog
104. Over The Hills And Far Away
105. Misty Mountain Hop
106. Since I've Been Loving You
107. No Quarter
108. The Song Remains The Same
109. The Rain Song
201. Dazed And Confused
202. Stairway To Heaven
301. Moby Dick
302. Heartbreaker
303. Whole Lotta Love
304. The Ocean
The relentless touring schedule continues to take its toll on Plant's fragile voice. He struggles to maintain control as Rock and Roll gets underway. As Black Dog ends, Plant apologizes to the crowd for the delay, explaining that Page's guitar "has had a bit of an accident, but we got it fixed now." Over the Hills and Far Away is introduced as "a song about the journey that we're all on." The intro is interrupted by a loud firecracker blast, prompting Plant to respond "that's one guy who's not on the same journey." Page blazes through an excellent guitar solo.
No Quarter is fantastic, despite Page's occasionally sticky fingers. The Rain Song is absolutely beautiful. Dazed and Confused is introduced as "one of the old ones." Page hints at The Rover during a frantic call and response with Bonzo and Jones prior to the haunting San Francisco interlude. The transition to the bow solo is highly dramatic. A loud firecracker blast interrupts the eery soundscape. Page is on fire during the guitar solo/workout section. As the song ends, Bonzo can be heard shouting "well done Jim!" before Plant announces "I dunno who the sadist was who lit off the bomb, but he really is a jerk-off."
Bonzo is introduced as "the all-time percussionist of rock and roll" before Moby Dick. Page shreds wildly through the solos during Heartbreaker. Bonzo and Jones explore an infectious funky groove during the theramin freakout in Whole Lotta Love. Page joins in for a frantic race to the finish. Plant makes a brief reference to Gallows Pole during his boogie rap. Before the show-closing The Ocean, Plant announces "this requires the vocal talents of John Bonham."
Review: Led Zeppelin Kneads Crowd to Silly Putty
Led Zeppelin doesn’t give concerts, they perform physical transformations. They kneaded the full-house crowd in Memorial Auditorium into silly putty Sunday night with two hours and 50 minutes of massive sensory massage.
The sheer enormity of the sound did it (though the full moon may have helped), an enormity that resonates into your paleolithic pith, the cry of the dinosaur summoning out that primitive quickening in the face of monstrosity.
Whatever isn’t touched by the earthquake rumble of John Paul Jones’ bass, John Bonham’s gunshot cracks on the drums or Robert Plant’s echoey heart-of-darkness voice is left quivering by the swooping electronic slices of guitarist Jimmy Page, especially his solo on the theremin.
Their relatively simple brooding themes are blown larger than life, like skyscraping office buildings, and they lay on thick embellishments and broad dramatic resolutions that mean more en masse than as individual items.
The four of them approached it all with unexpected good humor. John and Bonham lay back blithely amongst the folding backdrop of mirrors that run the length of the stage.
Page in black with a rhinestone-studded rose on his open jacket, prancing around like a cocky midlands soccer player in a pub, and Plant in tight jeans and a short jacket with rhinestones and puffed sleeves strutting back his curly blond mane.
The band took no breaks, despite the heat. Applause followed a few Page guitar solos but the youngish crowd didn’t really erupt until the start of Stairway to Heaven and again when the spinning mirrored ball went on as it closed.
The heavy drumbeat of Moby Dick brought a rush on the stage and most of the hall stayed on its feet for that last hour, including a long Bonham drum solo with special synthesizer effects.
An 8-minute ovation brought them back for an encore after their boogieing final number. “Thank you Buffalo,” Plant said when they finished. “Take care until we see you again.” (D. Anderson, Buffalo News / July 1973)
102. Celebration Day
103. Black Dog
104. Over The Hills And Far Away
105. Misty Mountain Hop
106. Since I've Been Loving You
107. No Quarter
108. The Song Remains The Same
109. The Rain Song
201. Dazed And Confused
202. Stairway To Heaven
301. Moby Dick
302. Heartbreaker
303. Whole Lotta Love
304. The Ocean
The relentless touring schedule continues to take its toll on Plant's fragile voice. He struggles to maintain control as Rock and Roll gets underway. As Black Dog ends, Plant apologizes to the crowd for the delay, explaining that Page's guitar "has had a bit of an accident, but we got it fixed now." Over the Hills and Far Away is introduced as "a song about the journey that we're all on." The intro is interrupted by a loud firecracker blast, prompting Plant to respond "that's one guy who's not on the same journey." Page blazes through an excellent guitar solo.
No Quarter is fantastic, despite Page's occasionally sticky fingers. The Rain Song is absolutely beautiful. Dazed and Confused is introduced as "one of the old ones." Page hints at The Rover during a frantic call and response with Bonzo and Jones prior to the haunting San Francisco interlude. The transition to the bow solo is highly dramatic. A loud firecracker blast interrupts the eery soundscape. Page is on fire during the guitar solo/workout section. As the song ends, Bonzo can be heard shouting "well done Jim!" before Plant announces "I dunno who the sadist was who lit off the bomb, but he really is a jerk-off."
Bonzo is introduced as "the all-time percussionist of rock and roll" before Moby Dick. Page shreds wildly through the solos during Heartbreaker. Bonzo and Jones explore an infectious funky groove during the theramin freakout in Whole Lotta Love. Page joins in for a frantic race to the finish. Plant makes a brief reference to Gallows Pole during his boogie rap. Before the show-closing The Ocean, Plant announces "this requires the vocal talents of John Bonham."
Review: Led Zeppelin Kneads Crowd to Silly Putty
Led Zeppelin doesn’t give concerts, they perform physical transformations. They kneaded the full-house crowd in Memorial Auditorium into silly putty Sunday night with two hours and 50 minutes of massive sensory massage.
The sheer enormity of the sound did it (though the full moon may have helped), an enormity that resonates into your paleolithic pith, the cry of the dinosaur summoning out that primitive quickening in the face of monstrosity.
Whatever isn’t touched by the earthquake rumble of John Paul Jones’ bass, John Bonham’s gunshot cracks on the drums or Robert Plant’s echoey heart-of-darkness voice is left quivering by the swooping electronic slices of guitarist Jimmy Page, especially his solo on the theremin.
Their relatively simple brooding themes are blown larger than life, like skyscraping office buildings, and they lay on thick embellishments and broad dramatic resolutions that mean more en masse than as individual items.
The four of them approached it all with unexpected good humor. John and Bonham lay back blithely amongst the folding backdrop of mirrors that run the length of the stage.
Page in black with a rhinestone-studded rose on his open jacket, prancing around like a cocky midlands soccer player in a pub, and Plant in tight jeans and a short jacket with rhinestones and puffed sleeves strutting back his curly blond mane.
The band took no breaks, despite the heat. Applause followed a few Page guitar solos but the youngish crowd didn’t really erupt until the start of Stairway to Heaven and again when the spinning mirrored ball went on as it closed.
The heavy drumbeat of Moby Dick brought a rush on the stage and most of the hall stayed on its feet for that last hour, including a long Bonham drum solo with special synthesizer effects.
An 8-minute ovation brought them back for an encore after their boogieing final number. “Thank you Buffalo,” Plant said when they finished. “Take care until we see you again.” (D. Anderson, Buffalo News / July 1973)
Hi-
ReplyDeleteBoth rar files in this Post are labeled 1973.07.15 Led Zeppelin Buffalo NY Another Cup Of Tea (SoundBoard) FLAC (which is the name of the version of the show on in the Loseless section) as opposed to 1973.07.15 Led Zeppelin Buffalo, NY Hot Buffalo Night (SoundBoard) which is supposed to be used for this Post. Is the FLAC in this hybrid Post the same as the FLAC in the Loseless section? Do you have both titles for this date? If so, could you please post the 1973.07.15 Led Zeppelin Buffalo, NY Hot Buffalo Night (SoundBoard) FLAC & mp3 here since 1973.07.15 Led Zeppelin Buffalo NY Another Cup Of Tea (SoundBoard) FLAC is already available in the Loseless section?
Thank you, thank you, thank you,
Michael
I don't believe that I have HOT Buffalo Night. I wonder...... Hmmm idk what happen there but I will fix it. Thanks!
ReplyDelete