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This Blog is all about Led Zeppelin and sharing every known concert recording (bootleg) spanning their career 1968 - 1980. My goal is
to help others in finding these historic shows! Any Led Zeppelin concert you want RIGHT HERE!!! These shows are a time machine into the past that allow us people of today to enjoy the Led Zeppelin experience in true, raw form, straight from the tapers! I believe everyone should be able to enjoy these shows! And I really appreciate all of the Tapers who made these shows available!!! I may not have every single bootleg available, but there is at least one for every date known to have been recorded.
On the right side of the blog is the Concert Date Archive containing every concert date performed by Zep in yearly order, when you click on any date it takes you to the bootleg for that show. Below that is the Post Archive, Special Thanks and links to other popular bootleg sites. On the left side of the blog is a Video Archive section containing everything there is of live footage of Zep (DVD's, 8MM and Fan Footage) And below that is the Lossless section.
Every concert I post will contain a link to download the concert. I use Mega to upload and make available for download. You do not have to install the Mega App to download shows, but I highly recommend it. Especially when downloading the bigger files. It does make things easier. But you can just use your browser. Also, some browsers like Internet Explorer will not let you download. Firefox and Google Chrome work well. I assure you that all of the links here will be working as long as I'm alive!
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Sunday, September 27, 2015

1970.03.07 Led Zeppelin Montreux Casino (Awesome Audience)

1970.03.07
Led Zeppelin
Montreux Casino
(Awesome Audience)

Here is the link
https://mega.nz/#!VhxE0IRa!L0X7dZAWZgrPN_Ud7wvxjWpQAoS2xQQNFBJJETkncvo
Soundman Phil Dudderidge: "When I arrived, mid-tour, at Montreux to join the Led Zeppelin crew, I found a fairly standard rig for that level of band, similar to those owned by The Who and Pink Floyd, which I had seen at various gigs. The speakers were mostly 4 x 12-inch columns (10 per side), plus two stacks of two 2 x 15s with a small horn on top per side, all driven by 12 100W power amps. And just two WEM five-channel Audiomaster mixers providing 10 channels. I'd never had my hands on such a big rig! Mics were the usual assortment of Shure Unidynes and Unisphere's, the forerunners of the SM57 and SM58." (Performing-Musician interview)

Montreux promoter, Claude Nobs, sparks a close friendship with the band and brings them to perform at the Casino. They would return to play in 1971 and 1972 as well as taking personal holidays to the mountain retreat throughout the decade. One of the perks of playing in Montreux is the availability of the state-of-the-art recording studio, Mountain Studios, connected to the venue, which the band also used.

(The group was never part of the "Montreux Jazz Festival", as they as sometimes erroneously attributed.)


We're Gonna Groove seems a bit sluggish, especially Page. He seems to be moving in slow motion during the intro to I Can't Quit You Baby. Quite the opposite can be said of Plant, who is full of energy and bravado. Page re-tunes his guitar during the third verse of Dazed and Confused. His playing is almost drunk, very bluesy. As an intro to Heartbreaker, Page leads the band in a jam on the riff from Jeff Beck's Rice Pudding. Since I've Been Loving You is like a funeral march, mournful and longing.

Jones plays a haunting organ solo before Thank You. Bonzo is an out of control locomotive during Moby Dick. Page plays a riff similar to that of Psychotic Reaction at the beginning of How Many More Times. There is a source change to the inferior soundboard tape just as the song is getting underway. The Bolero section features some excellent improvisation. The band are locked into each other during the medley, which features excellent renditions of Bottle Up and Go and Mitch Ryder & The Detroit Wheels' Jenny Take a Ride! Plant has everyone playing his call and response game during the "got you in the sights..." section. The tape ends during the theramin freakout in Whole Lotta Love (which features Jones on organ), leaving us without the end of this great show.

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