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This Blog is all about Led Zeppelin and making every known concert bootleg spanning their 1968 to 1980 live
career
available. I am a HUGE fan and I know how hard it is to find some of these concerts! That's why I want to help others in finding these historic shows! Any Led Zeppelin concert you want RIGHT HERE!!! These shows are a time machine into the past that allow us people of today to enjoy the Led Zeppelin experience in true, raw form, straight from the tapers! I believe everyone should be able to enjoy these shows! And I really appreciate all of the Tapers who made these shows available!!!
On the right side of the blog is the Concert Date Archive containing every concert date performed by Zep in yearly order, when you click on any date it takes you to probably the most popular bootleg for that show. Below that is the Post Archive, Special Thanks and links to other popular bootleg sites. On the left side of the blog is a Video Archive section containing everything there is of live footage of Zep (DVD's, 8MM and Fan Footage) And below that is the Lossless section.
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Friday, September 25, 2015

1973.07.07 Led Zeppelin Chicago Illinois Windy City 2 (Great Audience)

1973.07.07
Led Zeppelin
Chicago Illinois
Windy City 2
 (Great Audience)

Here is the link
https://mega.co.nz/#!r5JAVB4B!WVRIkNteCW2BrwRKidYTkxFZvIzL-YQnrDMzZvWY_qA
101. Rock And Roll
102. Celebration Day
103. Over The Hills And Far Away
104. Misty Mountain Hop
105. Since I've Been Loving You

201. No Quarter
202. The Song Remains The Same
203. The Rain Song
204. Dazed & Confused (includes San Francisco)

301. Stairway To Heaven
302. Moby Dick
303. Heartbreaker
304. Whole Lotta Love (includes The Crunge,Boogie Chillun')
305. Communication Breakdown

Rather mixed performance. While Celebration Day sounded on fire, Over The Hills And Far Away sounds extremely sluggish. Jimmy saves it all with a lengthy solo and a suddenly improved guitar volume. Since I've Been Loving You is a great version with Robert's raw, raspy voice to it's full effect and Jimmy also in great form here. No Quarter is a perfect version 1973 style without the enhancements of 1975/77. Bonzo adds a bit of tympani here and there during the keyboard solo. Page joins very quickly for the jam. With Dazed And Confused Plant is seems to be recovered now and adlibs and screams at will. Together with 1972 these are the best versions of this song. A great version here, followed by a strong medley of Heartbreaker and Whole Lotta Love.

Plant's voice is still a bit rough as Rock and Roll gets moving. The tape is cut during the third verse of Celebration Day due to the taper accidentally pushing the pause button on his recorder. Fortunately, he realizes his mistake fairly quickly and we return as Plant greets the crowd following the absent Black Dog. Plant asks if anyone was at last night's show, saying "it was a little bit too vicious, as Lou Reed would say." Page blazes through the guitar solo during Over the Hills and Far Away. Since I've Been Loving You is dramatic and powerful, despite Plant's injured voice.

Following No Quarter, Plant announces "we'd like to make it familiar to the press, we read a review of last night's concert and after six years, they still think that John Bonham plays the organ." There are some distracting tape issues near the end of The Song Remains the Same. Page is on fire during the guitar solo/workout section in Dazed and Confused, his fingers flying across the fretboard as Bonzo and Jones explore a heavy groove. Bonzo explodes like a barrage of cannon fire during the crushing return to the main riff. Page solos wildly over Plant's chants of "take it easy" during the outro. There is a slight cut during the middle section of Stairway to Heaven. As the song ends, Plant tells the crowd "at this point, I'd like to give you a little round of applause."

As Plant repeatedly calls out Bonzo's name after Moby Dick, someone near the taper
answers with shouts of "who?" and "once more" following each iteration. Page shreds through the fast guitar solo during Heartbreaker as Bonzo and Jones hold down a funky rhythm. Unfortunately, there are major tape issues during the initial verses of Whole Lotta Love. The riotous Boogie Chillen' section features an excellent guitar solo from Page. The taper and his friends provide some amusing commentary before the band returns to the stage to close the show with a fantastic Communication Breakdown.


Notes:

Review: Friday and Saturday, Led Zeppelin landed at the Chicago Stadium, with nearly 20,000 turning out for each night’s show. Apparently anticipating possible problems, someone had seen to it that the place was crawling with security as well. Friday night, at least, things were peaceful enough – in fact, by current concert standards, the whole evening proceeded according to script.

For a band that attracts such an eager-for-action audience, Led Zeppelin is curiously controlled. They are not the type to urge the audience to surge forward; in fact, they play with barricades in front of the stage and Plant expressed distaste more than once for the pushing confrontations going on practically at his feet.

For a band that once relied so much on sheer musicianship, augmented by the stage sexuality of lead singer and vocal gymnast Plant, Led Zep’s picked up a lot of theatrical trappings since their last tour. A stage setting with complete lighting system, mirrored panels and silver balls, plus puffs of smoke and enveloping fogs, represents some borrowings from Pink Floyd, though it works well with Zeppelin’s style too. So does the weird electronic music of the theremin which guitarist Jimmy Page doubled on during Whole Lotta Love.

Page took a couple of solos with some flashy guitar work, and drummer John Bonham managed to make a 15 minute or so drum solo in Moby Dick, not only powerful but incredibly engrossing.  (ChicagoTribune, July 1973)

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