Led Zeppelin
Baton Rouge LA
Rampaging Cajun
(SoundBoard)
Here is the link (New link as of 1-7-2016 Kashmir was not in the old one for some reason)
https://mega.nz/#!wSxQCAYA!iRQF1NQYUmN_RD8N400FT2E29B_x9ysnGiEh6KmI53s
A loud pea whistle signals the beginning of Rock and Roll. Bonzo's thunderous pounding echoes off the walls of the arena as Page blazes through the guitar solos during Sick Again. As the song ends, Plant tells the crowd "hang onto your heads." In My Time of Dying is incredibly heavy. Bonzo hammers at his drums with unbelievable intensity during The Rain Song. No Quarter features Jones's first use of a grand piano. The instrumental section is absolutely fantastic. Page delivers an amazing guitar solo which ends in a series of violent outbursts with Bonzo. An outstanding performance, one of the best thus far.
Page shreds through an erratic guitar solo during Trampled Underfoot. Plant introduces Moby Dick as "one of the most exciting events that you're likely to see in the next ten minutes." The arena quakes under the power of Bonzo's thunderous assault. An utterly devastating performance, one of the best thus far. Dazed and Confused features a brutally heavy San Francisco interlude, now transformed into a haunting rendition of Woodstock. Page's fingers get a bit sticky during the frantic guitar solo/workout section. The return to the main riff is a chaotic explosion of energy. As the song ends, Plant announces "Mr. Jimmy Page, guitar... Baton Rouge, a really good audience... and Led Zeppelin, just a fun-lovin' bunch of boys." Stairway to Heaven features an excellent, dynamic guitar solo from Page. Plant unleashes some spine-chilling squeals during the theramin freakout in Whole Lotta Love. Page's fingers become hopelessly entangled in the strings during Black Dog.
Rock 'n' roll's heaviest metal magicians, Led Zeppelin, blended their past and present for a multi-sensational experience at last night's LSU Assembly Center concert.
As lead singer Robert Plant told a packed audience early in the concert, it's "a cross-section of musical color we've managed to get together in the last six years . . . so hang on to your heads."
"Hang on to your heads "was good advice as lead guitarist Jimmy Page sent wave after wave of hundred-decibel metallic sounds surging through a huge bank of amplifiers.
With his guitar at crotch level and chest arched ceiling ward, Page seemingly has no bones — his body flows just as the music he orchestrates does.
The three-hour concert, unmarred by intermissions and boring backup bands, predictably climaxed with the classic "Stairway to Heaven."
The tall, wild-haired Plant stood spotlighted in gold as he temporarily tamed his screaming vocal cords to lead softly into the 1971 hit that remains their most requested song.
But the tempo and intensity of "Stairway to Heaven" quickly climbed to a crescendo, only to soften, then build, then soften again.
The concert itself was alternately but continually hard and soft, punctuated by smoke and swirling light.
All of the group's six albums, including the recently released "Physical Graffiti," were touched upon. Led Zeppelin blended many of their songs together in long, somewhat new interpretations. "Over the Hills and Far Away" became "Misty Mountain Hop" and then "Over the Hills" again. "Dazed and Confused" drifted into a surprise rendering of "Woodstock."
Bassist John Paul Jones was featured on the piano and organ in "No Quarter" amid rising blue and green smoke and swirling specks of green, yellow and red light.
And drummer John Henry Bonham had the stage to himself for an extended (perhaps a little too long) drum solo of "Moby Dick."
But throughout most of the show, it is Page and Plant who are front and center, setting the tempo, pace and mood.
The Led Zeppelin show is a draining experience for both performers and audience. The pulsating, twanging, metallic rhythms, coupled with bursts of light and smoke, marked by screaming heights one minute, temporarily gentled tones the next, is an odyssey in itself. [By C. WEATHERSBY]
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